他在日记中亲昵地叫儿子佳普斯、佳帕、安德留什卡，这些温柔的昵称，藏着一个父亲细腻的爱。在意大利拍摄《乡愁》期间，他偶遇一个站在路边等待搭便车的年轻人，这个画面瞬间击中了他，让他想起了留在苏联的、当时尚未成年的儿子。他在当天的日记中描绘：“他举着手，可是没有一个人停车。他有一头金发，看上去神情忧郁。我想起了佳帕。他也要长大，会变得更成熟，也更孤独。”
Owain Evans’ idea of feeding a historical LLM non-anachronistic images is, I think, well worth doing. But it’s also worth expanding on further. Would it be helpful, when training a historical LLM, to simulate dream imagery based on premodern themes? What about audio of birdcalls, which were far more prominent in the audioscapes of premodern people? What about taking it on a walk through the woods?
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